Buy VRay

Buy VRay - $899   Buy VRay (Educational Version) $240 Buy VRay - Bundle $999 Buy VRay - Super Bundle $1135

General

Approaches to indirect illumination

VRay implements several approaches for computing indirect illumination with different trade-offs between quality and speed:

• Direct computation - this is the simplest approach; indirect illumination is computed independently for each shaded surface point by tracing a number of rays in different directions on the hemisphere above that point.
  
  Advantages:
  • this approach preserves all the detail (e.g. small and sharp shadows) in the indirect lighting;
  • direct computation is free from defects like flickering in animations;
  • no additional memory is required;
  • indirect illumination in the case of motion-blurred moving objects is computed correctly.
     
  Disadvantages:
  • the approach is very slow for complex images (e.g. interior lighting);
  • direct computation tends to produce noise in the images, which can be avoided only by shooting a larger number of rays, thus slowing it even more.
     
• Irradiance map - this approach is based on irradiance caching; the basic idea is to compute the indirect illumination only at some points in the scene, and interpolate for the rest of the points.
  
  Advantages:
  • the irradiance map is very fast compared to direct computation, especially for scenes with large flat areas;
  • the noise inherent to direct computation is greatly reduced;
  • the irradiance map can be saved an re-used to speed up calculations of different views for the same scene and of fly-through animations;
  • the irradiance map can also be used to accelerate direct diffuse lighting from area light sources.
     
  Disadvantages:
  • some details in indirect lighting can be lost or blurred due to the interpolation;
  • if low settings are used, flickering may occur when rendering animations;
  • the irradiance map requires additional memory;
  • indirect illumination with motion-blurred moving objects is not entirely correct and may lead to noise (although in most cases this is not noticeable).
     
• Photon map - this approach is based on tracing particles starting from the light sources and bouncing around the scene. This is useful for interior or semi-interior scenes whith lots of lights or small windows. The photon map usually does not produce good enough results to be used directly; however it can be used as a rough approximation to the lighting in the scene to speed the calculation of GI through direct computation or irradiance map.
  
  Advantages:
  • the photon map can produce a rough approximation of the lighting in the scene very quickly;
  • the photon map can be saved an re-used to speed up calculation of different views for the same scene and of fly-through animations;
  • the photon map is view-independent.
     
  Disadvantages:
  • the photon map usually is not suitable for direct visualization;
  • requires additional memory;
  • in VRay's implementation, illumination involving motion-blurred moving objects is not entirely correct (although this is not a problem in most cases).
  • the photon map needs actual lights in order to work; it cannot be used to produce indirect illumination caused by environment lights (skylight).
     
• Light map - light mapping is a technique for approximating the global illumination in a scene. It is very similar to photon mapping, but without many of its limitations. The light map is built by tracing many many eye paths from the camera. Each of the bounces in the path stores the illumination from the rest of the path into a 3d structure, very similar to the photon map. The light map is a universal GI solution that can be used for both interior or exterior scenes, either directly or as a secondary bounce approximation when used with the irradiance map or the direct GI method.
  
  Advantages:
  • the lightmap is easy to set up. We only have the camera to trace rays from, as opposed to the photon map, which must process each light in the scene and usually requires separate setup for each light.
  • the light-mapping approach works efficiently with any lights - including skylight, self-illuminated objects, non-physical lights, photometric lights etc. In contrast, the photon map is limited in the lighting effects it can reproduce - for example, the photon map cannot reproduce the illumination from skylight or from standard omni lights without inverse-square falloff.
  • the light map produces correct results in corners and around small objects. The photon map, on the other hand, relies on tricky density estimation schemes, which often produce wrong results in these cases, either darkening or brightening those areas.
  • in many cases the light map can be visualized directly for very fast and smooth previews of the lighting in the scene.

  Disadvantages:

  • like the irradiance map, the light map is view-dependent and is generated for a particular position of the camera. However, it generates an approximation for indirectly visible parts of the scene as well - for example, one light map can approximate completely the GI in a closed room;
  • currently the light map works only with VRay materials;
  • like the photon map, the light map is not adaptive. The irradiance is computed at a fixed resolution, which is determined by the user;
  • the light map does not work very well with bump maps; use the irradiance map or direct GI if you want to achieve better results with bump maps.
  • lighting involving motion-blurred moving objects is not entirely correct, but is very smooth since the lightmap blurs GI in time as well (as opposed to the irradiance map, where each sample is computed at a particular instant of time).

Which method to use? That depends on the task at hand. The Examples section can help you in choosing a suitable method for your scene.

Primary and secondary bounces

The indirect illumination controls in VRay are divided into two large sections: controls concerning primary diffuse bounces and controls concerning secondary diffuse bounces. A primary diffuse bounce occurs when a shaded point is directly visible by the camera, or through specular reflective or refractive surfaces. A secondary bounce occurs when a shaded point is used in GI calculations.

Parameters

On - turns indirect illumination on and off.

GI caustics

GI caustics represent light that has gone through one diffuse, and one or several specular reflections (or refractions). GI caustics can can be generated by skylight, or self-illuminated objects, for example. However, caustics caused by direct lights cannot be simulated in this way. You must use the separate Caustics section to control direct light caustics. Note that GI caustics are usually hard to sample and may introduce noise in the GI solution.

Refractive GI caustics - this allows indirect lighting to pass through transparent objects (glass etc). Note that this is not the same as Caustics, which represent direct light going through transparent objects. You need refractive GI caustics to get skylight through windows, for example.

Reflective GI caustics - this allows indirect light to be reflected from specular objects (mirrors etc). Note that this is not the same as Caustics, which represent direct light going through specular surfaces. This is off by default, becase reflective GI caustics usually contribute little to the final illumination, while often they produce undesired sublte noise.

Post-processing

These controls allow additional modification of the indirect illumination, before it is added to the final rendering. The default values ensure a physically accurate result; however the user may want to modify the way GI looks for artistic purposes.

Saturation - controls the saturation of the GI; a value of 0.0 means that all color will be removed from the GI solution and will be in shades of grey only. The default value of 1.0 means the GI solution remains unmodified. Values above 1.0 boost the colors in the GI solution.

Contrast - this parameter works together with Contrast base to boost the contrast of the GI solution. When Contrast is 0.0, the GI solution becomes completely uniform with the value defined by Contrast base. A value of 1.0 means the solution remains unmodified. Values higher that 1.0 boost the contrast.

Contrast base - this parameter determines the base for the contrast boost. It defines the GI values that remain unchanged during the contrast calculations.

Save maps per frame - if this is on, VRay will save the GI maps (irradiance, photon, caustic, light maps) that have the auto-save option enabled, at the end of each frame. Note that the maps will always be written to the same file. If this option is off, VRay will write the maps only once at the end of the rendering.

First (primary) diffuse bounces

Multiplier - this value determines how much primary diffuse bounces contribute to the final image illumination. Note that the default value of 1.0 produces a physically accurate image. Other values are possible, but not physically plausible.

Primary GI engine - the list box specifies the method to be used for primary diffuse bounces.

Irradiance map - selecting this will cause VRay to use an irradiance map for primary diffuse bounces. See the Irradiance map section for more information.

Global photon map - selecting this option will cause VRay to use a photon map for primary diffuse bounces. This mode is useful when setting up the parameters of the global photon map. Usually it does not produce good enough results for final renderings when used as a primary GI engine. See the Global photon map section for more information.

Quasi-Monte Carlo - selecting this method will cause VRay to use direct computation for primary diffuse bounces. See the Quasi-Monte Carlo GI section for more information.

Light map - this chooses the light map as the primary GI engine. See the Light map section for more information.

Secondary diffuse bounces

Multiplier - this determines the effect of secondary diffuse bounces on the scene illumination. Values close to 1.0 may tend to wash out the scene, while values around 0.0 may produce a dark image. Note that the default value of 1.0 produces physically accurate results. While other values are possible, they are not physically plausible.

Secondary diffuse bounces method - this parameter determines how VRay will calculate secondary diffuse bounces.

None - no secondary bounces will be computed. Use this option to produce skylit images without indirect color bleeding.

Global photon map - selecting this option will cause VRay to use a photon map for primary diffuse bounces. This mode is useful when setting up the parameters of the global photon map. Usually it does not produce good enough results for final renderings when used as a primary GI engine. See the Global photon map section for more information.

Quasi-Monte Carlo - selecting this method will cause VRay to use direct computation for primary diffuse bounces. See the Quasi-Monte Carlo GI section for more information.

Light map - this chooses the light map as the primary GI engine. See the Light map section for more information.

Notes

• VRay does not have a separate skylight system. The skylight effect can be achieved by setting the background color or environment map in MAX's environment dialog, or in VRay's own Environment rollout.
• You will get physically accurate lighting if you set both the primary and secondary GI multipliers to their default value of 1.0. While other values are possible, they will not produce a physically accurate result.

Follow our newsfeed for all latest product updates and discounts

Your cart Cart is empty View cart Checkout

Authentication Username Password Log in Register Recover password If you have disabled Javascript in your browser click here

VRay News Populate your scenes quickly and professionally with Evermotion's 3D Archmodels! Add top quality props to your scene within minutes. Archmodels provides professional high quality 3D models for your visuals. Click for more details

Popular Products Archexteriors Vol. 10 Archinteriors Vol. 15 Professional VRay Shaders VRay Advanced - Bundle Learn VRay Exteriors Gnomon DVD Learn VRay Interiors Gnomon DVD